Author: Jinny Park

Supplementary Listening Examples for “Rhyming Techniques and Identity in Korean Hip Hop” (Park 2020)

DJ. DOC, “DOC와 함께 춤을” (‘Dance with DOC’) (1997)

• Example 1: ‘Dance with DOC’ (1997), first verse (0:17–0:29)

Deux, “Go! Go! Go!” (1993)

• Figure 1: Deux, ‘Go! Go! Go!’ (1993), verse 1 (0:34–0:42)

Garion, ‘Priority’ (2010)

• Example 2: ‘Priority’ (2010), first verse, part 1 (0:45–0:56)
• Example 3: ‘Priority’ (2010), first verse, part 2 (0:57–1:07)
• Example 4 & Figure 3: ‘Priority’ (2010), prechorus, first half (1:07–1:17)

Soul Company, ‘아에이오우, 어?!’ [‘A E I O U, EO?!’] (2004)

• Example 5: Internal rhyme patterns in Jerry.K’s verse in ‘AEIOU, EO?!’ (0:19–0:47)
• Figure 4: Rhythmic motives with artificial stress accents on <I-A-O> vowel patterns (0:33–0:38)

불한당, ‘불한당가’ (Bulhandangga) (2013)

• Figure 5: P-TYPE’s verse in ‘Bulhandangga’ (2013) (2:15–2:27)

Dynamic Duo, ‘고백’ (Go Back), (Double Dynamite, 2005)

• Figure 6: Artificial pitch accents in ‘Gobaek’ (Go Back), 1:07–1:17 (Double Dynamite, 2005)

Illionaire Records, ‘YGGR’ (2004)

• Figure 7: Duosyllabic triplet flow in the hook of ‘YGGR’ (0:13–0:40)
• Example 6: The Quiett’s verse in ‘YGGR’ (0:41–1:03)

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